Library Equipment

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Equipment overview

Please note most microphones need an interface to record audio to a PC or an adapter to interface with a camera.

  • Microphones
    • Kits 11-14 require some kind of XLR audio interface to function
    • Kit 15 is generally intended for use with a Camera to get cleaner recording than just relying on the cameras mic.
    • Kit 16 can directly plug into a PC
    • Kit 17 is both a microphone and an XLR interface. It is a portable recorder that XLR mics can interface with. If you need to record only audio in the field, it is a good option. 
  • Interfaces 
    • KIT 20 are studio monitoring headphones they should only be used with interfaces and other A/V equipment. They cannot be checked out individually. 
    • USB Interfaces require the use of DAWS (Digital audio workstation). There are many free and trial versions of DAWS
      • Audacity- basic single-channel stereo editing  
      • Pro Tools First- Free Version of Pro Tools, requires the creation of multipal accounts. 
      • GarageBand - Free on Mac and Apple devices
      • Adobe Audition - Professional audio software, available on library computers

Audio Equipment

 

Microphones

Kit 11 pt1

Kit 11 pt2

Requires some kind of XLR audio interface

  • Output Connection: 3 pin XLR
  • Element Type: Dynamic
  • Frequency Response: 28 Hz – 18 kHz

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Kit 12

Requires some kind of XLR audio interface

  • Mono Sound Field
  • Dynamic Capsule 
  • Frequency Response: 50 Hz – 15 kHz

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Requires some kind of XLR audio interface

  • For Drums, Guitars & Vocals
  • Cardioid Polar Pattern
  • Made for the Stage and Recording

 

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Kit 14

Requires some kind of XLR audio interface

  • Cardioid Polar Pattern 
  • Frequency Response: 50-15,000 Hz

 

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Kit 15

  • Includes lavalier microphone 
  • Wireless transmission of audio from the transmitter to the receiver
  • Omnidirectional Polar Pattern
  • Acoustic Principle: Pre-polarised pressure transducer
  • Frequency Response: 50Hz - 20kHz
  • More Information from RØDE

 

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Kit 16

 

  • Element Type: Dynamic
  • Cardioid Polar Pattern
  • Frequency Response: 50 – 15,000 Hz

 

 

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Kit 17

  • Number of simultaneous recording tracks: 2 (STEREO mode), 4 (4CH mode), 2 (MTR mode)
  • Recording time 4GB (SDHC): Approx. 380 minutes (WAV 44.1 kHz/16 bit stereo track), Approx. 68 hours (MP3 44.1 kHz/128kbps stereo track)
  • Tuners: Chromatic, Guitar, Bass, Open A/D/E/G, DADGAD

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Stands

Kit 18

  • Boom arm length: 435 - 745 mm
  • Height: 900 - 1,605 mm

 

 

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Kit 19

 

 

  • Mono Sound Field
  • Dynamic Capsule 
  • Frequency Response: 50 Hz – 15 kHz

 

 

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Interfaces

Kit 20

Cannot be checked out individually 

  • SPL: 113dB 
  • Jack plug: 3,5 / 6,3 mm stereo
  • Frequency Response: 8 - 25000 Hz

 

 

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Kit 21

  • Frequency Response 20Hz - 20kHz ± 0.1dB
  • Dynamic Range 111dB 
  • Gain Range 56dB

 

 

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  • 4x4 USB 2.0 Audio/MIDI Interface for recording microphones and instruments
  • Zero-latency direct monitoring while recording
  • Audiophile 24-Bit/192 kHz resolution for professional audio quality

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Cables and Adapters

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  • Studio-quality cable that can be used for converting a mono-microphone or a line-level signal to a 3.5mm stereo signal for devices such as camcorders, DSLR cameras, recorders, and more
  • 3' cable

 

 

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Thomas G. Carpenter Library

1 UNF Drive

Jacksonville, FL 32224

Phone: 904-620-2615

Text: 904-507-4122

ask@unf.libanswers.com

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